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Filled with incredible performances (by Naomi Watts in particular), Lynch's dreamy style, and enough confounding questions to fill a lifetime, "Mulholland Drive" is an LGBTQ+ classic that's worthy of all the rewatches. Many consider "Mulholland Drive" to be Lynch's best film to date the BBC even voted it as the No. It captures that oftentimes queer experience of needing fantasy to survive, and of having one's inner sense of self be completely disconnected from what's presented to the outside world. It's this break between fantasy and reality that makes this a brilliant LGBTQ+ film. The film is divided into two parts, as we see different versions of Betty: her fantasy version of herself and her "real" self, seen by others. Its queerness is clear, as Betty and Rita start a romantic relationship, but it goes deeper than that. In typical David Lynch fashion, nothing is as it seems in "Mulholland Drive," which requires multiple viewings to unravel its thread. Perhaps this is the queerest aspect about it, as it looks at the question of what happens when good people encounter bad timing, and struggle with hurting the ones they care about. It's a film that lives in the ambiguous space between black and white - Rachel isn't tormented by internalized homophobia or her feelings for a woman she's upset that her feelings mean she'll hurt someone she loves very much. There are no villains here, and all the characters are treated empathetically. "Imagine Me & You" is a great queer film because it doesn't go to the extremes that rom-coms usually do. The film did not fare well critically, but that hasn't stopped queer viewers from embracing it (per Autostraddle), and its nearly double audience rating on Rotten Tomatoes indicates that the gatekeepers don't always understand what people want or need. "Imagine Me & You" is a sweet rom com with a happy ending that works due to the chemistry of Perabo and Headey (who thankfully showcases none of the diabolical traits she later would as Cersei Lannister). As it stands, critics loved "Blue is the Warmest Color," which was the first film to win the Palme d'Or at Cannes for both the director and actors (via The NY Times), and for anyone interested in LGBTQ+ cinema, it's worth a watch. For many, this representation of a young woman falling in love with another woman for the first time speaks volumes, and for others, it's overshadowed by the uncomfortable perspectives and dramas of the film. "Blue is the Warmest Color" sits in that disorienting intersection of LGBTQ+ cinema, where the lines of visibility and invisibility meet. However, it's also a powerful film about first love and first loss. In these real ways, "Blue is the Warmest Color" is problematic. This feeling was enhanced when stars Exarchopoulos and Seydoux spoke out in an interview with The Daily Beast about their negative experiences making the film, which left them feeling taken advantage of. Many queer viewers - including Maroh - have criticized the film for its male gaze, particularly in its sex scenes (per Autostraddle).